At Night and From a Distance: Thom Andersen's Los Angeles Plays Itself

We're starting the month of December (and ending 2023) with a dive into Los Angeles in a month of programming curated by our own Ibrahim Chavez. Our first episode of December is a look at film critic and teacher, Thom Andersen's "video essay" Los Angeles Plays Itself (2003). A legend in the world of documentary filmmaking, Andersen's film was seen sporadically in screenings set up by Andersen, showings at the American Cinematheque in Los Angeles (Hollywood), and filesharings through film lovers. In 2014 the film film was finally released on DVD through Cinema Guild and can also be seen (for free) on YouTube. 

Examining the city of Los Angeles in three distinctive categories (Background/Character/Subject), Andersen's film is a love letter to the city and cinema itself. Questions are asked and Answers are forwarded. Take a listen and see if you agree with our thoughts on this wonderfully entertaining look at one of the world's great cities. You can reach us at gondoramos@yahoo.com to give us your thoughts.

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

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Beyond Laughter: Richard Pryor - Live in Concert & Live on the Sunset Strip 

This week Mr. Chavez & I close out November with a look at - arguably - the greatest stand-up comic the craft has ever produced, Richard Franklin Lennox Thomas Pryor, Sr. I have been an admirer of Mr. Pryor for nearly five decades now and am unable to remember a time when I was not aware and was not in total awe of him. On this episode, Ibrahim & I look at the legacy of this great artist as well as the brilliance in both his material, delivery, and stage presence. We look at his two greatest artistic achievements, 1979s Richard Pryor: Live in Concert  and 1982s Richard Pryor: Live on the Sunset Strip. There is a whole lot to break down and we give it our all. Take a listen and let us know what you think - gondoramos@yahoo.com

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

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Ransom: Akira Kurosawa's High & Low

There are no shortage of names that define our undersrtanding and foster our enjoyment of Cinema. Scorsese, Fellini, Bergman, Leone, Eisenstein, Spielberg, Chaplin, Keaton, Lumet, Ford, Hawks . . . the list could run for pages (and fortunately for us it does). There is a name that cannot be left off . . . Best known for his Jidaigeki - Historical (Action) Dramas - including Seven Samurai, Yojimbo, Rashomon, Throne of Blood, and The Hidden Fortress (to name a few), Kurosawa was a master at the modern drama, as well. Ikiru, The Bad Sleep Well, Drunken Angel, Stray Dog are a few of his modern explorations of Japanese life after the war. A masterpiece (rarely discussed and criminally underseen) is 1963's High & Low. Adapted from Ed McBain's 87th Precinct series of crime novels, High & Low is a beautiflly nuanced and brilliantly tension-guided police procedural. Re-teaming in their fifteenth (of sixteen) collaborations, Kurosawa and Toshiro Mifune come together to tell one of the greatest films in both mens' filmographies. This is an incredible film that Mr. Chavez and I are thrilled to bring to you. Take a listen and let us introduce you (or remind you if you are already familiar with) this wonderul film. 

Let us know what you think - gondoramos@yahoo.com

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

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When a Promise Meant Something: Sean Penn's The Pledge 

November is the month of Rick Ramos and this week we continue - following Martin Scorsese's Killers of the Flower Moon and Walter Hill's Hard Times - with a look at Sean Penn's 2001 The Pledge. Featuring an underrated (and I would argue tragically underseen) Jack Nicholson performance that sidesteps all of the Nicholson tropes that we have become used to, Nicholson portrays Jerry Black, a police detective on the eve of his retirement who leaves his retirement party to investigate a young girl's rape and murder. He is quickly sucked into the horror of the crime and finds himself obsessed with discovering the truth and bringing the killer to justice. Penn's film takes all of the labored and tired tropes that have become standard for the genre and manipulates them in ways that make for a fresh directorial take. Featuring an all-star cast (that never screams of stunt casting) including: Sam Shepard, Helen Mirren, Aaron Eckhart, Patricia Clarkson, Michael O'Keefe, Vanessa Redgrave, Robin Wright Penn, Harry Dean Stanton, Benicio del Toro, Tom Noonan, and (an incredible) Mickey Rourke, the 2001 film is one that truly speaks to Penn's power and gifts behind the camera. Take a listen and let us know what you think. You can reach us at gondoramos@yahoo.com. Many Thanks. 

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos 

Oil & Blood: Martin Scorsese's Killers of the Flower Moon

Take a listen as Mr. Chavez & I kick off the month of November with a series of films curated by your host and producer, Rick Ramos. We begin with a discussion of Martin Scorsese's newest film - currently in theaters - Killers of the Flower Moon, a beautifully realized adaptation of David Grann's 2017 non-fiction best seller, Killers of the Flower Moon: The Osage Murders and the Birth of the FBI.  Featuring exceptional performances from Leonardo DiCaprio, new comer Lily Gladstone, Jesse Plemons, John Lithgow, Tantoo Cardinal, Brendan Fraser, and a powerfully restrained Robert DeNiro, Killers of the Flower Moon is a beautifully told and powerfully moving dramatization of the Osage murders of the early 1920s. Scorsese has crafted a nuanced and gripping film that only time will allow the revelation of its complete impact. It was a pleasure to begin November with this film. Comments can be directed to gondoramos@yahoo.com. 

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos 

1933 . . . Words Didn't Buy Much - Walter Hill's Hard Times 

On this week's episode, Mr. Ramos celebrates his 49th birthday looking at the purpose and drive of WatchThis W/RickRamos, some of his favorite films, why he loves them as he does, and culminating with a look at one of his favorite films, Walter Hill's directorial debut, Hard Times (1975). Why this films is a longstanding favorite is a mystery, however it is one that our illustrious host works to understand. Featuring wonderful performances from Charles Bronson as Chaney, James Coburn as Speed, Strother Martin as Poe, and exceptional supporting performances from Jill Ireland, Nick Dimitri, Robert Tessier, and Michael McGuire Hard Times continues to hold onto Ramos's imagination and soul. This was a fun episode. Hopefully you'll enjoy the reminiscing. If you have something to contribute you can correspond with Rick Ramos at gondoramos@yahoo.com. Many Thanks.

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos

 

Your #1 Fan: Rob Reiner & Stephen King's Misery

This week Mr. Chavez & I close out October and Halloween with one of the great Horror/Thrillers of the 1990s, Rob Reiner's adaptation of Stephen King's Misery. A tale of King's personal struggles with the writing medium, alcohol and drug abuse, and the perils of fame told through the life of the fictional author Paul Sheldon. With the creation of Annie Wilkes - a seemingly sweet, caring, and psychotic nurse, King gave life to an incredible character that embodied many of his personal demons. Realized through the performances of James Caan as King's alter ego, Paul Sheldon, and (a new discovery at the time) Kathy Bates as Annie Wilkes, King and Reiner created one of the more unsettling, disturbing, and beautifully tense thrillers in the history of the genre. With a wonderful supporting cast including Lauren Bacall, Frances Sternhagen, and - an exceptional - Richard Farnsworth, Misery, was a great film to re-visit. We are thrilled to end the month with this recommendation. Hit us up at gondoramos@yahoo.com if you'd like to let us know what you think. 

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos

 

Never Sleep Again: The Horror of Freddy Krueger

This week Ibrahim & i talk one of the iconic Horror figures of the late 20th Century, Wes Craven's pedophile, nightmare murderer Freddy Krueger. Through seven original films, a remake  (which we only touch on), and a Friday the13th crossover, Krueger has taken on a cryptic and overwhelming cult of popularity. Created by Craven and realized through the performance of Robert Englund, Krueger is a character that has captured the cinematic imagination and enjoyment of audiences throughout the world. With the original Nightmare on Elm Street (1984) - directed by Wes Craven, followed by four quality diminishing sequels and a triumpant return to form with the Wes Craven directed Wes Craven's New Nightmare (1994), the combined efforts of Craven, Englund, and actress Heather Langenkamp have created one of the great figures in Horror Cinema. Take a listen and let us know what you think - gondoramos@yahoo.com

 As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos

 

Full Moon Fever: John Landis's An American Werewolf in London

Halloween is around the corner . . . this week Mr. Chavez & I continue our look into the Horror Genre with a screening and discussion of John Landis's 1981 Horror Classic, An American Werewolf in London. There's a whole lot going on in Landis's film (some good, some bad, some exteme), but the great gift - that it continues to deliver on - is the introduction of Special Effects and Make-Up Master, Rick Baker. On this week's episode we discuss what we feel Landis did right, what he did wrong, as well as the film's lasting impact on the entire make-up and special effects industry. Baker won a richly deserved Oscar (an award created specifically for his groundbreaking work) at the '81 Academy Awards. Take a listen and let us know what you think. It's a fun and interesting talk detailing the film, Landis's career, the history of Horror films, and the importance of the genre itself. Let us know what you think . . . gondoramos@yahoo.com. 

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos

 

The Horror Double: Invasion of the Body Snatchers 

This week Ibrahim & I look at a classic (a standard) of the Horror Genre - Invasion of the Body Snatchers (1956 & 1978) and Body Snatchers (1993). Based on the 1954 Jack Finney Sci-Fi Novel, directors Don Siegel, Philip Kaufman, and Abel Ferrara have taken drastically different approaches to this material. Each film is a classic in their own rights. Take a listen and see if you agree with out assessments. As always we'd love to hear your comments and contributions at gondoramos@yahoo.com. Many Thanks. 

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos

Bloody Giallo - Dario Argento's Suspiria

This week Ibrahim & I dive into the world of Italian Giallo Cinema with a look at Dario Argento's 1977 "masterpiece" Suspiria. Combining violence, sexploitation, the supernatural, and vibrant color, Argento's film is one that is considered one of the most influential films in the genre. For those familiar with the podcast it should come as no surprise that one of us dislikes this film and one of us wholeheartedly embraces it. Take a listen for a spirited conversation. . . it's a good time. You can reach us at gondoramos@yahoo.com. 

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos

Dark, Wild Woods: Neil Jordan's The Company of Wolves

This week Mr. Chavez & I sink into the world of Fairy Tales and Warped Childrens' Stories to examine Director Neil Jordan's 1984 Horror/Fairy Tale The Company of Wolves. This is an intersting film with beautiful production design. One of us appreciates it more than the other and so the arguments begin. Take a listen as we discuss fairy tales as allegory, the storied history of werewolves in cinema and literature, as well as Neil Jordan's filmography. It's an interesting conversation that we know you will appreciate.  

You can reach us at gondoramos@yahoo.com

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. Follow the link below to contribute.  Our Continued Thanks. 

https://www.buymeacoffee.com/watchrickramos

 

Beyond Black Tropes: Horror Noire: A History of Black Horror (Part II)

A second episode uploaded and ready for your enjoyment, as Mr. Chavez and Mr. Ramos continue our look at The History of Black Horror Cinema through the Shudder Network and Xavier Burgin's Horror Noire: A History of Black Horror (2019). Take a listen as we move out of the "Blaxploitation" era and into the modern era of Black Horror. It's a fun talk. Let us know what you think at gondoramos@yahoo.com 

If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. We've busted ass for a number of years, scraping by for the Love of Cinema . . . you can do the right thing by digging into those pockets and giving a little bit to help keep the lights on. Our Continued Thanks. 

https://www.buymeacoffee.com/watchrickramos

First to Die: Black Noire: A History of Black Horror (Part I) 

The first of a two-part looking at The History of Black Horror Cinema. On this episode we discuss the Shudder Network Documentary Black Noire: A History of Black Horror (2019), focusing on the history, films, tropes, and achievements of African-American Horror Cinema. Including interviews with scholars, writers, directors, and actors, Xavier Burgin's 2019 documentary is an enjoyable and informative look at a sub-genre that rarely gets the attention and examination it deserves. Take a listen and let us know what you think. We can be reached at gondoramos@yahoo.com. 

If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. We've busted ass for a number of years, scraping by for the Love of Cinema . . . you can do the right thing by digging into those pockets and giving a little bit to help keep the lights on. Our Continued Thanks. 

https://www.buymeacoffee.com/watchrickramos
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Horror Well-Cut: Nicholas Roeg's Don't Look Now

This week Ibrahim & I continue our descent into Horror Cinema with a look at a British Classic, Nicholas Roeg's Don't Look Now (1973). Beautifully edited, masterfully directed, and sensitively acted (from stars Julie Christie and Donald Sutherland), Nicholas Roeg's film examines the struggle of a married couple as they attempt to continue living after the accidental drowning of their young daugter. Featuring a sex scene that has stirred controversy and speculation for over forty years, Roeg's film utilizes tension built through incredible tension and editing. Don't Look Now is a film that has continued to captivate critics while unsettling audiences since the film's premiere in 1973. Take a listen and let us know what you think. We can be reached at gondoramos@yahoo.com

If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. We've busted ass for a number of years, scraping by for the Love of Cinema . . . you can do the right thing by digging into those pockets and giving a little bit to help keep the lights on. Our Continued Thanks. 

https://www.buymeacoffee.com/watchrickramos

 

A Mary Shelley Dick Joke: Mel Brooks's  Young Frankenstein

There's absolutely no caption, intro, blurb, or description that can capture the magic and brilliance of Mel Brooks's masterpiece (arguably one of three), Young Frankenstein (1974). From a script by Brooks and star, Gene Wilder, two comic geniuses salute, honor, and show great love for the Classic Universal Horror films of the 1930s, 40s, and 50s. With a brilliant supporting cast (possibly the greatest ever committed to film) including Marty Feldman, Cloris Leachman, Teri Garr, Kenneth Mars, Peter Boyle, Gene Hackman, and Madeline Khan, Brooks and Wilder's continuation of James Wales's Frankenstein (1931) and The Bride of Frankenstein (1935) faithfully recreates the Frankenstein World Cinema has come to know and love. Take a listen as Mr. Chavez & I shine a light on this incredibly loving and - often times - hilarious film. 

 If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. We've busted ass for a number of years, scraping by for the Love of Cinema . . . you can do the right thing by digging into those pockets and giving a little bit to help keep the lights on. Our Continued Thanks. 

 

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Family Plot: William Friedkin's Film of Tracy Letts's Killer Joe

This week Ibrahim & I remember the iconic filmmaker, William Friedkin. Friedkin was director of numerous classic films including: The French Connection (1971), The Exorcist (1973),  Sorcerer (1977), and To LIve and Die in L.A. (1985). His career would see numerous hits and misses, however many would agree that it ended with one of the strongest (and easily the most polarizing) films of his career . . . the Tracy Letts scripted (from his stage play) Killer Joe. Troubling material and numerous explicitly violent scenes make this film a struggle (albeit incredibly rewarding) to get through. With an powerful titular performance from Matthew McConaughey and an incredible supporting cast including: Emile Hirsch, Thomas Hayden Church, Gina Gershon, and Juno Temple, this is - arguably - one of the best films 2011 and the decade. Take a listen and see if you agree with our impressions of this overpowering film. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

f you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated.

https://www.buymeacoffee.com/watchrickramos

The Prometheus Warning: Christopher Nolan's Oppenheimer 

Take a listen as Mr. Chavez makes his triumphant return and we dive into Christopher Nolan's masterpiece bio-pic of J. Robert Oppenheimer - The Father of the Atomic Bomb. A fascinating film that the two of us are thrilled to have seen in 70MM IMAX and are even more thrilled to discuss. A great film and - hopefully - a great discussion. Take a listen.

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks for Your Continued Support. 

If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated.

https://www.buymeacoffee.com/watchrickramos

 

 

 

Based On a True Story: William Friedkin's The Brink's Job

This past week we said farewell to one of the greats of 70s & 80s Cinema, William Friedkin. Known for  such classics as The French Connection, The Exorcist, and To Live and Die in L.A, Friedkin was a difficult and polarizing figure in the world of cinema. What cannot be argued was his briliance. For this week's episode I remember Mr. Friedkin with a rarely seen film that is far outside his better known filmography, 1978's The Brink's Job. Based on the true story of the biggest heist in history - up to that point - Friedkin's film is a wonderfully playful and comic look at the men who pulled off this ridiculous crime. Featuring an all-star cast led by Peter Falk and including Gena Rowlands, Peter Boyle, Allen Garifeld, Paul Sorvino, and Warren Oates, The Brink's Job is a fun little caper film that is far better than it has any right to be. Watch the movie, take a listen and let me know if you agree. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. 

If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated.

https://www.buymeacoffee.com/watchrickramos

Murder Comes Home - Carl Franklin's One False Move 

This week I take a look at Carl Franklin's 1992 directorial debut, the powerful and disturbing, One False Move. Featuring Bill Paxton, Billy Bob Thorton, Cynda Williams, Earl Billings, Jim Metzler, and Michael Beach,  in a film the great film critic Roger Ebert called, "a powerful directing job. He (Franklin) starts with an extraordinary screenplay and then finds the right tones and moods for every scene, realizing it's not the plot we care about, it’s the people." Gene Siskel would name it the best film of 1992. It was a thrill to re-watch it and record my thoughts on this brililant first film. Take a listen and let me know what you think. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. 

If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated.

https://bmc.link/watchrickramos

Taking Chances . . . Bitter Stories

Neo-Noir - Walter Hill's Johnny Handsome 

A solo episode for your enjoyment. This week I recommend a classic Walter Hill film showcasing the violence, grittiness, and power of action and neo-noir cinema. Featuring an all-star cast including Forrest Whitaker, Ellen Barkin, Lance Henriksen, Elizabeth McGovern, Morgan Freeman (in a rare - questionably - villainous role), and a leading performance from a young and beautiful Mickey Rourke. Darkness overwhelms this film and is a magical reminder of Hill at his artistic peak. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com

If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated.

https://bmc.link/watchrickramos

 

A Continuing Story to Tell - The American Western: Dead for a Dollar & Old Henry 

Rick Ramos flies solo and talks Walter Hill's Dead for a Dollar (2022), featuring Christoph Waltz and Willem Defoe and Potsy Ponciroli's Old Henry (2021) starring Tim Blake Nelson, Steven Dorff, and Trace Adkins. One good film (if not somewhat disappointing) from one of our greatest action directors and one exceptional film from a director out of nowhere. Take a listen as I wax poetically on this Western genre that I love so much. 

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com

If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated.

https://bmc.link/watchrickramos

A Humanistic Pairing: Harrison Ford & Peter Weir (Witness and The Mosquito Coast) 

Join me as we close out our Harrison Ford Tribute (tribute?) with a look at two exceptional Ford performances (one of which is his only Oscar nomination), 1985s Witness and 1986s The Mosquito Coast.  In the first film a seemingly typical Ford character, Philadelphia Detective John Book finds himself protecting a young Amish boy (Lukas Haas) and his mother (Kelly McGillis) in an Amish community completely unfamiliar to him. What could easily be a routine and obvious storyline is allowed to find itself and evolve into more than your standard police procedural. Director Peter Weir (in his first American production after great success in Australia - Picnic at Hanging Rock and Gallipoli) delivers a gripping and emotionally powerful narrative. The following year would find Weir and Ford continuing their collaboration with The Mosquito Coast (from the novel by Paul Theroux with a screenplay from Paul Schrader). In a performance unlike anything else in his filmography, Ford portrays Allie Fox an inventor, father of four, and deeply dissapointed member of American society. Disgusted with the hypocrisy, laziness, and greed of America, Fox moves his family to the jungles of Panama in an egotistical effort to control his (and his family's) present and future. Take a listen to this solo episode. It's a fun time. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com

 

If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated.

https://bmc.link/watchrickramos

Indiana Jones: The Making of a Hero 

This week Ibrahim & I continue to look at the world of Indiana Jones, first profiled in Raiders of the Lost Ark (1981) and continued with Indiana Jones and the Temple of Doom (1984), Indiana Jones and the Last Crusade (1989), Indiana Jones and the Kingdom of the Crystal Skull (2008), and Indiana Jones and Dial of Destiny (2023). On this episode Mr. Chavez & I focus on the middle three films. There has been a great deal written and discussed about all of the films in this series. Why should Ibrahim and I be any different? From the thrills and ridiculousness of so much of these films thru the politics, controversies, and tropes of the adventure genre (including racism, colonialism, and the White Saviour) we approach all of this with an awareness that acknowledges these facts while simulataneously loving and embracing the excitement of the action and the nobility of the Jones character. It's a fun conversation; we hope you enjoy it. Thanks for your continued love and support. 

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com 

If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated.

https://bmc.link/watchrickramos

 

Indiana Jones: Raiders of the Lost Ark

This week Mr. Chavez & I continue our look at one of the great cinematic heroes, The George Lucas/Steven Spielberg imagined, Harrison Ford realized Indiana Jones. For over forty years, five films (as well as novelizations, comic books, and a television show - which we will not be getting into) and countless adventures searching for historical, religious, and cultural artifacts, Jones has amazed and thrilled countless audiences. This week Ibrahim & I go back to the beginning . . . 1981s Raiders of the Lost Ark. There's a whole lot to unpack. Take a listen as we head down memory lane with an old friend. 

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Our Continued Thanks.

If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated.

https://bmc.link/watchrickramos

Yesterday Belongs to Us:

Indiana Jones & The Dial of Destiny 

This week Mr. Chavez & I welcome the return of Henry Walton Jones, Jr. better known as "Indiana" Jones. Fifteen years since Kingdom of the Crystal Skull and 34 years since The Last Crusade, Jones (the 80 years old Harrison Ford) is back in - possibly - his greatest role. James Mangold (Walk the Line and Logan) takes over directing duties from Steven Spielberg and delivers a rousing, exciting, and emotionally satisfying conclusion to one of the greatest heroes in all of cinema. Ibrahim & I discuss the film (all aspects and spoilers noted) as well as internet controversies (box-office and "wokeness") that are plaguing the film in it's first weekend in theaters. There's a great deal here to unwrap as we begin a three episode series that covers the entirety of the "Indiana" Jones story (minus the television show). 

Questions Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. We appreciate your continued support. 

If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated.

https://bmc.link/watchrickramos

 

Hidden in the Mind: Ken Russell's Altered States 

This week Mr. Chavez and I continue our exploration of mind-altering narratives with a look at Ken Russell's 1980 Hollywood debut, Altered States. While not a completely successful film, there are elements here that force the audience to look deeper into the subject of sensory deprivation, isolation tanks, hallucinogenic drugs and the controversial work of counterculture  scientist, John C. Lilly. Perhaps a victim of 1980s cinematic limitations, Russell's film (from a screenplay by noted playwright and screenwriter, Paddy Chayefksy) touches on a number of interesting factors without being able to successfully depict them on screen. As always, it's an interesting conversation between the two of us, and one that we believe you will enjoy. There's quite a bit to unpack in this episode. We hope you'll join us. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated.

https://www.buymeacoffee.com/watchrickramos

The Suffering in Between:

Adrian Lyne's Jacob's Ladder

This week Ibrahim & I continue looking into the world of challenging and painful cinema. In 1990 Adrian Lyne directed Bruce Joel Rubin's  screenplay (considered one of the great unfilmed screenplays for the ten years before the production) of Jacob's Ladder (Rubin would also write that year's Ghost). Filled with troubling imagery and an arguably confusing narrative that rewards its viewers with a dark, pained, and powerful story, Lyne's film is one that failed at the box office, found a new life on home video and (it can be argued) led towards a darker cinema of the 1990s led by directors such as David Fincher, Paul Thomas Anderson, Darren Aaronofsky, and Christopher Nolan. Not an entirely successful film, but a film that was an early trumpeting of things to come. Take a listen and let us know what you think. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated. 

https://www.buymeacoffee.com/watchrickramos

 

 

Tokyo Book of the Dead: Gaspar Noé's Enter the Void 

This week Mr. Chavez and I examine the work of a controversial and polarizing director, Gaspar Noé. Noé made headlines in the early 2000s with Irreversible, a film that continues to upset audiences and challenges filmmaking conventions. With Enter the Void (2009), Noé doubled down and created a film that divided critics calling it both "captivating and innovative" and "tedious and puerile." The argument continues on this week's episode. Watch the film, listen, and agree or disagree. We'd love to hear from you at gondoramos@yahoo.com 

If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated. 

https://bmc.link/watchrickramos

 

A Little Girl's Dream:  Terry Gilliam's Tideland

Troubled throughout his career for circumstances - oftentimes - beyond his control (inadequate budgets - Munchausen, studio interference - Brazil and The Brothers Grimm, flash floods - Quixote, and death - Parnassus), Terry Gilliam has somehow been able to create some of the most incredible images ever committed to the big screen. From the great adventures of Baron Munchausen through an abandoned Philadelphia future overrun by wild animals, into an acid trip vision of 1970s Las Vegas, Gilliam is responsible for creating magic on screen that can only be described by his own adjective - Gilliamesque. With his 2005 look into the life of a nine-year old girl, Jelizah-Rose (Jodelle Ferland), orphaned and left to survive in an abandoned home on the Texas plains, Gilliam began a strange and interesting late career struggle for understanding. The films definitely changed. Pulling strongly from Lewis Carrol's Alice's Adventures in Wonderland, at 64 Gilliam created one of the most difficult and polarizing films of his career. (According to Gilliam, fellow Python, Michael Palin, called the film - either the greatest thing he has ever done, or the worst.) The fact is that polarizing and difficult films are the films that need to be looked at, examined, and talked about. That's all we're really trying to do with this (and every one of our) episode(s). Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com

Special Note: We're trying something new in this episode. If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated. 

https://bmc.link/watchrickramos

 

 

 

Anti-Sci-Fi: Andrei Tarkovsky's Solaris 

This week Ibrahim & I sit down to discuss a film widely-heralded as a masterpiece of Science Fiction Cinema, Andrei Tarkovsky's Solaris. In previous episodes, Ibrahim and I have discussed the brilliance of Tarkovsky's Mirror and Stalker. Here we struggle to understand and critique a film (widely recognized as brilliant) that simply doesn't come together for the two of us.

What is Sci-Fi? Aside of basic story elements, can Tarkovsky's film be considered a true Sci-Fi? This week we discuss this point as well as the role of an entire filmography in terms of understanding and evaluating a filmmaker's career. 

Take a listen and let us know what you think. It's definitely an interesting conversation. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks for Your Continued Love and Support. 

Way of Nature, Way of Grace: Terrence Malick's The Tree of Life 

One of the greatest films ever commited to celluloid . . . Terrence Malick's The Tree of Life. This is simply the greatest film about childhood; beautifully photographed, honestly acted, and briliantly realized, Malick is a true visionary whose five films up to this point (2011) are all considered spiritual, poetic, and beautiful. The Tree of Life  is (arguably) a masterpiece that has polarized audiences - some enchanted by the poetic beauty of its images, others put-off by what is considered pretentiousness and a lack of narrative focus. Everyone has a right to their opinion, but simply putting aside a certain expectation of "typical" narrative films, provides a rewarding and life-changing (at least the cinematic equivalent) experience. Take a listen as Mr. Chavez and I dig deeply into this wondrous film-watching experience. 

Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks for the Continued Love & Support. 

Donkey Variations: Jerzy Skolimowski's EO

This week Mr. Chavez and I travel to Cinematic Poland for Jerzy Skolimowski's EO - a beautiful and touching examination of the world through a donkey's eyes. Pain, Suffering, Beauty, and Resilience inspired by Bresson's Au Hasard Balthazar, but with a modern vision. This is an inspired piece of cinema, one that Ibrahim and I are thrilled to introduce to you and  excited to talk about. Take a listen and let us know what you think. For reference, you can find EO streaming on Amazon Prime for a small rental fee. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

Virtual Girl & Sad Boy: Spike Jonez's Her

On this week's episode, Mr. Chavez & I sit down to discuss Spike Jonez's Her, a film particularly important and reflective of these times. With beautiful cinematography from Dutch/Swedish cinematographer, Hoyte van Hoytema, and featuring touching performances from Joaquin Phoenix, Amy Adams, Rooney Mara, and the voice of Samantha - Scarlett Johansson, Jonez's look at love, loneliness, heartache, and artificial intelligence, Her is an interesting examination however a problematic and (for one of us, at least) highly unsatisfactory film. The discussion goes into this. We hope that you join us and formulate your taste. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com.  Many Thanks. 

 

Beast of Burden: Robert Bresson's Au Hasard Balthazar - WatchThis W/RickRamos 

This week finds Mr. Chavez and myself continuing our dive into films with great reputations and few viewings. Bresson's 1966 French Classic, Au Hasard Balthazar, looks at life through the eyes of a donkey as it moves through the world being loved, abused, championed, worked, and - finally - sacrificed. A touching and beautifully story about humanity told in a profoundly emotional manner. As Mr. Chavez says, "I challenge someone to watch this movie and to be like, 'Well It's just about a f****** stupid donkey.'" There's so much more to unwrap, and for true fans of Cinema (and World Cinema in particular), Bresson's story is about the struggle found in purpose, love, and suffering. This is a truly beautiful film that has found legions of fans since its release over sixty years ago. We are proud to present Au Hasard Balthazar on this week's episode. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many & Continued Thanks. 

A New Kind of Forgotten Western - Sam Raimi's The Quick & the Dead

This week Mr. Chavez continues to travel and I continue my exploration into the vast number of films that I've somehow missed in this lifetime. There are quite a few films on this list and this podcast allows me the opportunity to watch them and assess their value. This week's choice is the 1995 Sam Raimi-directed, Sharon Stone lead (a rarity in the Western genre) The Quick & the Dead. This is by far not a great film or a forgotten masterpiece, however it is somewhat fascinating in its snapshot look at mid-90s Hollywood filmmaking. The beginning of an independent filmmakers dive into studio filmmaking (at this point, Raimi had directed The Evil Dead series and Darkman but was yet to take on the Spiderman series) and Sharon Stone's emergence as a powerhouse star and producer after Basic Instinct. With supporting performances from a nasty, vile, and dangerous Gene Hackman, and early appearances from Russell Crowe and Leonardo DiCaprio, Raimi's film is filled wtih beautiful cinematography (Dante Spinotti) and exceptionally strange and compelling production design. It's a good time and I'm thrilled that I had the opportunity to watch it for this show. I hope you enjoy it. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

Loser Row - David Mamet's American Buffalo 

This week I go it alone to ramble on about losers, warped friendships, bad ideas, and hopelessness in David Mamet's 1975 play to 1996 film adaptation, American Buffalo. A three man showcase for Dennis Franz (Donny), Dustin Hoffman (Teach), and Sean Nelson (Bobby) in an angry portrait of loses who have no idea how desperate and ridiculous their ideas are. Not a great film, but a hell of a good time for those of us who love simple stories about hopelessness. Take a listen there's a pretty good amount to unpack. Thanks for listening; Thanks for the continued support. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. 

"I Know You're There . . . " - Wim Wenders's Wings of Desire

Ibrahim and I continue our dive into foreign, arthouse, and obscure films with this examination of Wim Wenders's 1987 cinematic elegy to angels, poetry, sacrifice, and love. With beautiful performances from Bruno Ganz, Otto Sander, Solveig Dommartin, and Peter Falk, Wings of Desire is a powerful, romantic, and inspiring film that leaves viewers feeling hopeful and enlightened. It's a beautiful film that we are thrilled to look at. Take a listen; It's a fun conversation. Let us know what you think. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. 

City of Solitude - Wong Kar-wai's Fallen Angels

In the very late 80s and early 1990s, Hong Kong Cinema was evolving from the wuxia epic swordplay films of the Shaw Brothers, Bruce Lee's explosion and evolution into Jackie Chan's Golden Harvest heyday, John Woo's police and crime epics, and the emergence of Wong Kar-wai - a director of intense visual and thematic beauty. This week Ibrahim & I discuss a visually stunning and poetic example of Wong's work; showcasing the after hours nights of 1990s Hong Kong, Wong's film looks at an assassin, his "manager", a recently escaped convict, and a series of questionable types that come into their lives. This is a beautiful film that Ibrahim & I loved and loved talking about. Take a listen and let us know what you think. 

In Search of Goosebumps 

Last week we looked at Rick Ramos, this week Mr. Chavez takes center stage, diving into the myriad influences that have created Ibrahim Chavez. Take a listen as we dig into Mr. Chavez's psyche and memories to understand him just a bit better. It's a hell of a fun conversation. We hope you enjoy. 

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

Defining Rick Ramos 

The Self-Indulgence is strong in this episode as Mr. Chavez and I break down our lives in movies over the next two episodes. From The Blues Brothers through Unforgiven and the concert films of George Carlin, it's a fun trip through the psychology of a movie lover. Take a listen; it's a fun conversation. 

Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com

Many Thanks. 

Three Auteurs: DePalma, Friedkin Uncut, and by Sidney Lumet 

When you have these three names there's little else that needs to be said. Take a listen as Mr. Chavez & I look at the careers and brilliance of three 1970s names that are sometimes left in the shadows of Scorsese, Spielberg, and Coppola - Brian DePalma, William Friedkin, and Sidney Lumet. It's a fun talk. We hope you enjoy it. 

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

A Dish Served Cold: Mark Mylod's The Menu 

This week Ibrahim & I sit down to talk a film that has recently left theatres, Mark Mylod's The Menu. Featuring a wonderful slumming performance from Ralph Fiennes and a captivating Anya Taylor-Joy (both Golden Globe nominated), this film is the very definition of empty calorie cinema. Ibrahim & I differ greatly in our opinions of this film, but we had fun with the viewing and and an even better time talking the film. You're in for an interesting and enjoyable discussion on a fun and forgettable film that many of you will enjoy simply for what it is. Class, Culture, The Restaurant and Cooking Industries, and Fame - We cover all of it, doing so with our usual insight and penchant for truth. Take a listen and see if you agree. Questions, Comments, Complaints, & Suggestions should be directed to gondoramos@yahoo.com. 

The Colonel and The King - Baz Luhrman's Elvis 

This week Ibrahim and I sit down to discuss the Academy Award nominated, Baz Luhrman directed, Elvis Presley Bio-Pic, Elvis. Definitely a visual assault on the senses, Luhrman has an incredible eye that re-creates the country from the 1950s thru the birth of the Vegas Lounge Act in the 1970s. Featuring an award-winning performance from star, Austin Butler, as Presley and Tom Hanks as his controversial and Svengali-like manager, Colonel Tom Parker (born Andreas Cornelis van Kujik) in a strange and polarizing performance. Luhrman's film hits the familiar points; the music, censorship, racism and segregation, The Blues, Gospel, and - of course - the enduring legacy of Elvis Presley and the early days of the media star and the beginnings of cancel culture. Take a listen; it's an interesting discussion. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Our Continued Thanks. 

Monster Hunter - Todd Field's TÁR - WatchThis W/RickRamos 

This week Mr. Chavez & I sit down to talk Academy Best Picture Contender, Tár, featuring a stand-out performance from Cate Blanchett. This is the kind of picture we only ever get to see at awards season. In a cinematic world filled with remakes, re-hashes, and action tent-poles, Tár delivers a wonderfully nuanced and brutal honest examination of the  world we live in. This is a slow-paced, thoughtful film that asks a great deal from its viewers while simultaneously delivering a great deal. Take a listen and catch this essential film playing in theaters and streaming on select services.

 Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks for your continued love and support. 

Blue Dances with Wolves - James Cameron's Avatar Films 

In 2009 James Cameron took old soup and re-heated it in a familiar bowl. Equal parts Lawrence of Arabia, The Last Samurai, and (most glaringly) Kevin Costner's revisionist Western, Dances with Wolves, Cameron has gone back to the well-worn tradition of re-imagining Native Cultures, Colonialism, and the Trope of the White Saviour. This is territory that we (and many others) have explored ad-nauseum, however the films continue to get made and starving whores that we are, we take the bait. You can love this film series, you can hate it, but the discussion will always be an important, controversial, and impassioned one. Take a listen as Mr. Chavez and I discuss 2009s Avatar and it's thirteen years in the making sequel, Avatar: The Way of Water. At the very least it's a fun and combative discussion. 

Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks for your continued love and support. 

Eating Images: Jordan Peele's Nope 

On this episode, Mr. Chavez & I sit down to discuss one of the best directors to emerge from the late 2010s into the early 2020s, Jordan Peele. With three films under his belt, 2017s Get Out, 2019s Us, and his latest - 2022s Nope, Peele has established himself as one of the most creative and compelling voices in today's cinema. His films challenge convention and stun audiences and critics with their audacity. This week we discuss Peele's emerging style as a filmmaker as well as the conventions and evolution of the genre. Take a listen. Ibrahim & I continue to have great times recording these episodes. We hope you can join us. 

Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

The Many Faces of The Little Wooden Boy - Pinocchio 

Talking a Classic . . .  Netflix has recently premiered Guillermo del Toro's (with co-director Mark Gustafson) Pinocchio (2023), a touching stop-motion animation feature that is overwhelming in its beauty. On this week's episode I'm taking a look at Carlo Colidi's 1883 classic tale (The Adventures of Pinocchio) as it has been interpreted throughout the 20th and 21st Centuries. For this episode I look at the del Toro Netflix film, the 1940 Walt Disney Classic, and (my favorite) the 2019 Italian film from director Matteo Garrone and featuring Roberto Benigni as Geppetto. Hopefully this episode will give you a few things to consider. Take a look at these three films. I hope you will enjoy them. 

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

 

Hollywood - Spectacle & Sacrifice: Damien Chazelle's Babylon

This week, Mr. Chavez & I continue our close out of 2022 (going into this third week of 2023), with a look at one of the most highly-anticipated films of the year (and one of its most polarizing films and biggest box-office disappointments), Damien Chazelle's Babylon. This is certainly a film that defines cinematic ambition, but also thematic and visual excess; A film of grotesque imagery and questionable plot points, Chazelle's love and fascination for the Hollywood's Silent Era and the slow emergence into "Talkies" is divisive at the very least. Rarely does a film emrege that is as beautiful, overblown, and misguided as this three-hour opus. Featuring Hollywood Stars interpreting the lives of early screen stars John Gilbert (Brad Pitt) and Clara Bow (Margot Robbie), and newcomers Diego Calva, Li Jun Li, and Jovan Adepo, as well as Jean Smart, Flea, Lukas Haas, Eric Roberts, Jeff Garlin, and Tobey McGuire. Incredibly problematic, but definitely worth seeing on the big screen, Chazelle's "Love Letter to Cinema and Hate Letter to Los Angeles/Hollywood" is one of the more fascinating spectacles in recent cinema. Take a listen and let us know what you think. 

As always, we. dive into all aspects of this film. It is best to have seen the film before listening. You've been warned. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com Many Thanks. 

Prison of the Self: Darren Aaronofsky's The Whale

On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I continue our look at a series of challenging, polarizing, and (in some cases) critically-acclaimed films closing out 2022 and carrying us into 2023. This week we look at Brendan Fraser's return to the big screen in Darren Aaronofsky's The Whale. There is definitely greatness here, but there are also troubling and problematic (cinematic) elements to this film. We are not getting on a bandwagon our overlooking the attitudes and problems the public may have with this film, but are focusing - rather - on the qualities of telling a narrative centered around a morbidly obese man and all that that entails. 

There's a lot to unpack. Mr. Chavez and I do our best to come at the film with open-minds and balanced understanding. Take a listen as we dive into this moving and difficult film. 

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

To Our Graves, We're Taking This: Martin McDonagh's The Banshees of Inisherin

On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I move into 2023 with one of the best films of 2022, Martin McDonagh's The Banshees of Inisherin. A reunion for stars Brendan Gleeson & Colin Ferrel as well as their Director Martin McDonagh (all three of In Bruges - 2008), Banshees is a beautifully realized character study looking at a decades long friendship as it comes to an end and the struggle of both men dealing with that separation, McDonagh's film is both beautiful and touching in it's examination of friendship, aging, and loneliness. It's a thrill for the two of us to sit down and discuss this wonderful film playing in theaters and on HBO Max right now. Please realize that Mr. Chavez & I will be discussing all aspects of this film. Be sure to see the film before listening to the episode. However you get into this it's a fun and informative discussion. We hope you enjoy it. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

Dance of Death: Lars Von Trier's Melancholia 

Cinema is a strange and captivating artform. In many cases, understanding a filmmaker's intent is a hopeless effort. Lars Von Trier is a director whose filmography has captivated, confused, angered, and endeared itself to audiences. His critically-lauded 2011 film, Melancholia, would startle and fascinate audiences at The 64th Cannes Film Festival. The film itself would beguile audiences (awarding Best Female Pereformance to Kirsten Dunst and making the film a top contender for the Palme d'Or, but it was press conference in support of the film that would torpedoe it's chances at the Award. This week, Mr. Chavez & I discuss the controversy surrounding that press conference as well as our own contradictory attitudes regarding the film. This is an interesting film with a great deal to recomend. We discuss these positives and dive just as deeply into the negatives of the film's offerings. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. ManyThanks. 

Questions in the Rain: Bong Joon-ho's Memories of Murder 

On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I continue our exploration of South Korean Cinema with a look at Bong Joon-ho's Memories of Murder. Based on a true-life series of rapes and murders that captured and terrified the minds of South Koreans from 1986 thru 1991, Bong's film is a subtle and intriguing police procedural that takes the great elements of Police-Thrillers, Crime, and Noir. Memories of Murder is a captivating and powerful look at paranoia, fear, and the minutiae of police work It's a beautifully realized and thrilling introduction to a filmmaker that would make an incredible stamp on Cinema in the years to come. Take a listen and let us know what you think. It's an interesting and fun talk. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

Nothing Left to Say - Defining Films of the 2010s

Nothing left to say, People . . . this week Mr. Chavez & I conclude our look into the Defining Films of Their Respective Decades. We started in the 1910s and here we are, one hundred years of Cinema later. It's been a fun time looking at some great films and a bunch of painful ones. The fact is that Cinema influences society, but also is a reflection of it. We're thrilled to have dedicated nearly a year to the art, power, and influence of The Movies. Take a listen to our opinions, ideas, and thoughts on This Final Decade. It's been a whole lot of fun. We hope you've enjoyed the ride and we hope this final chapter lives up to whatever expectations you have formed. Questions, Comments, Complaints, & Suggestions can be directed to gondormaos@yahoo.com. Many Thanks. 

Blue-Collar Love Song - John Turturro's Romance & Cigarettes

I've been wanting to talk this movie for quite some time. I'm not exactly sure when and where I first saw John Turturro's Romance & Cigarettes. I had heard stories of a "Working-Class, James Gandolfini led Romantic/Musical Comedy". With no idea what to expect, the film would finally find it's way into limited release sometime in 2007 - shortly after it would find its way to home video, where - I believe - I finally saw it. It exceeded any expectations I may have had and did away with any fears that may have come with it. I love this film and am thrilled to finally get Mr. Chavez to sit down and give it a watch.

This is a fun talk looking into a surprising, tender, and heartfelt performance from James Gandolifini; with Susan Sarandon, Kate Winslet, Steve Buscemi, Aida Turturro, Mandy Moore, Mary Louise Parker, and stand-out performances from Christopher Walken (excessively Christopher Walken) and the great Broadway actress, Elaine Stritch in a beautifully nuanced performance that will make you realize the injustice of her not having a lengthier filmography.

There's quite a bit to unpack here. We hope you enjoy the talk. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

Celebrating a Genius - Martin Scorsese's 80th Birthday

This week a bonus episode of WatchThis W/RickRamos drops as I go solo to celebrate - in my opinion - The Greatest Living Director (and easily one of the greatest filmmakers in the history of the medium) - Mr. Martin Scorsese. Since my partner is not joining me for this episode, I am choosing to look at Mr. Scorsese more from a fan's vantage than from a critic's. Martin Scorsese has made some of the greatest films in the medium - Mean Streets, Taxi Driver, Raging Bull, The King of Comedy, Goodfellas, Casino, Bringing Out the Dead, The Departed, Gangs of New York, and Hugo.  I don't want to go into detail here . . . you're going to have to just sit down and listen to the episode. It's a good one. 

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

Franchising Heroes & Fools: The Films of the 2000s

On this week's episode of WatchThis W/RickRamos continue our look at the films that defined their decades. This week we look at the films of the new millennium. The 2000s saw a shift in the cinematic mentality. It was the beginning of the franchise era focusing on literary properties, remakes, reboots, and a continuous slip in artistic quality. There's alot going on in this week's episode and the sunuvabitch is a beast, so sit back and lean into the magic of cynicism and dissapointment. It's a fun time. Take a listen and let us know what you think - gondoramos@yahoo.com - Our Continued Love & Thanks. 

The Billy Picture: Vincent Gallo's Buffalo '66

On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I sit down with an incredibly underseen and underappreciated independent film from 1998, Vincent Gallo's Buffalo '66. Some films are difficult to define . . . they are problematic in their narratives and politics. Vincent Gallo's directorial effort from 1998 is a film that few people have seen and which was - most likely - never intended for a mass audience. But there is great beauty in this film. There's an anger, strange character study, and sadness to this film. Featuring great performances lead by Gallo (as a recently paroled loser, struggling to impress . . . who knows!?!), Anjelica Huston, Ben Gazzarra, Mickey Rourke, Jan Michael Vincent, Kevin Corrigan, and a beautiful and brilliant Christina Ricci. This is certainly not a film for eveyone, but for those audiences that are fans of WatchThis, it certainly is a worthy investment of time and cinematic enjoyment. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Our Continued Thanks. 

Blood Brothers: Phil Joanou's State of Grace 

On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I sit down to discuss a forgotten gem from 1990 - Phil Joanou's tale of Hell's Kitchen Irish-American Brotherhood, State of Grace. We are thrilled to discuss this neglected classic showcasing Sean Penn, Robin Wright, (a frightening) Ed Harris, and a brilliant early stateside performance from one of the great actors of any generation, Gary Oldman. There's so much to dig into with this one. We hope you take a listen and it drives you into the arms of a film that you may have missed. For those who have seen it, you should have a great time joining in as Ibrahim and I do what we love to do. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks for Your Continued Love & Support. 

Undergound Leather: William Friedkin's Cruising 

On this week's episode of WatchThis W/RickRamos, Ibrahim & I sit down to talk one of the most controversial films of the 1980s - Al Pacino in William Friedkin's Cruising (1980). During its production and early 80s release, few films had suffered comparable controversy. An murder mystery set in the Underground, S & M, Leather Bars of Late 70s/Early 80s New York, Cruising was lambasted almost immediately. Forty-plus years later, the film continues to stir up controversy, however it has also gone on to become embraced as a cult classic for its depiction of the Gay Underworld of that time. It is a strange and disturbing film that fails and offends in a number of ways and still fascinates in others. For this episode (recorded nearly a month earlier), Ibrahim & I are thrilled to finally sit down and tackle this cult classic.

Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks! 

Ghosts of Old Japan: Masaki Kobayashi's Kwaidan

On this week's episode of WatchThis W/RickRamos, Ibrahim & I wrap up October with a look at a Japanese Horror Masterpiece - Kwaidan (1964). This Classic of Japanese Cinema is filled with some of the most beautiful images committed to film. A film bringing together four ghost stories of Japanese lore, Kwaidan has overwhelmed viewers with its beauty for nearly sixty years. It's a thrill for Ibrahim and I to finally come to this classic. It's our first viewing and we hope that you make it your next. Thanks for your continued love and support. 

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. 

Death in a Village:   Na Hong-jin's The Wailing

One of the great joys of doing this show is discovering the gems in the cinematic world. Sometimes you stumble on them in your search; occasionally a friend turns you onto something great. For this week's episode of WatchThis W/RickRamos, Mr. Chavez & I send a special thanks to Mr. Cornelius Burroughs for his gift of Na Hong-jin's The Wailing (2016). Mr. Burroughs sent this to me a few years back and only now have I had the chance to sit down and watch it . . . It was well worth the wait. A story of Korean Horror featuring Ghosts, Posession, Murder, and Paranoia, The Wailing is simply one of The Best Horror Films in recent decades. It's a thrill for us to discuss this gem of World Cinema. We hope you enjoy the film and our talk. 

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

Mother's Arms: Alejandro Jodorowsky's Santa Sangre

On this week's episode of WatchThis w/RickRamos, Ibrahim & I continue our descent into the terror of Horror Cinema as we celebrate moving closer and closer to All Hallow's Eve. For this week's selection we go against the norm and travel to Mexico for Chilean filmmaker Alejandro Jodorowsky's Santa Sangre (1989). A film that needs to be seen in order to be believed, Ibrahim & I are thrilled to discuss this Surreal Masterpiece. The less written the better so take a watch, follow it with a listen, and experience one of the great visionary expressions of Cinema. We think you'll have a good time. Questions, Comments, Complaints, & Suggestions can be sent to gondoramos@yahoo.com. Many Thanks. 

Return of the Past: Folk Horror & The Wicker Man (2006)

On this week's second episode of WatchThis W/RickRamos, Ibrahim jump to the 2006 American remake of Robin Hardy's Classic, The Wicker Man. Remakes can go a lot of different ways and this one doesn't surprise. What's great is the two films (original and 2006) lead us to a fascinating documentary from 2021, Kier-La Janisse's Woodland Dark and Days Bewitched: A History of Folk Horror, a wonderful examination of the Folk Horror genre from Great Britain through Eastern Europe, Mexico, Central & South America, and Asia. It's a true testament to the beauty of cross-cultural understanding. Take a listen . . . it's a good, fun talk.

Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.

Bad Execution: The Wicker Man (1973)

On this week's episode of WatchThis W/RickRamos, Ibrahim & I continue our examination into the World of Cinematic Horror. For this episode we look to the UK and Robin Hardy's The Wicker Man. Recognized as "One of the Greatest Horror Films Ever Made" Ibrahim & I are . . .  well, take a listen and you'll hear our perspective. It's a fun discussion. You should have a good time.

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.

Mirror Image: David Cronenberg's Dead Ringers 

On this week's episode of WatchThis W/RickRamos, Ibrahim & I continue our descent into the Horror genre with a look at David Cronenberg's Underseen 1988 Masterpiece, Dead Ringers. With one of the great performances of the 1980s (In All of Cinema for that matter), Cronenberg gives audiences one of the most unsettling and disturbing pictures that can fit into the Horror genre. Take a listen as Mr. Chavez & I look back at this  overlooked masterpiece. 

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

My So-Called Decade: Defining the 90s - Part I

On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I continue our look at the movies that define and represent each decade. This week we look at the 1990s and the names that made up this new independent and ground-breaking cinema. Each of us has a list of ten and a large number of honourable mentions. We're thrilled to sit down and discuss many of the films that made up our young adult lives and shaped much of our cultural and artistic understanding. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

My So-Called Decade: Defining the 90s - Part II

On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I continue our look at the movies that define and represent each decade in our second half of this two-part  episode. This week we look at the 1990s and the names that made up this new independent and ground-breaking cinema. Each of us has a list of ten and a large number of honourable mentions. We're thrilled to sit down and discuss many of the films that made up our young adult lives and shaped much of our cultural and artistic understanding. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

"Heaven Help You . . . " Joe Dante's The Howling (1981)

On this week's episode of WatchThis W/RickRamos, Ibrahim & I continue our dive into The World of Cinematic Horror with a look at the classic werewolf film, The Howling (1981). Joe Dante, Director of Gremlins, Innerspace, and The 'Burbs, created one of the most iconic films in the Horror genre. Featuring 80s Scream Queen, Dee Wallace Stone, The Howling is a film that plays beautifully with the genre. Take a listen as Mr. Chavez & I continue our exploration into Horror. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

Strange Fictions - John Carpenter's In the Mouth of Madness

On this week's episode of WatchThis W/RickRamos, Ibrahim & I continue our descent ito the World of Cinematic Horror. This week we take a look at One of the Greats - John Carpenter. After the financial and critical failure of The Thing (1982), Carpenter would find his career and project choices limited. He would regain some Hollywood stature with his adaptation of Stephen King's Christine (1983), Big Trouble in Little China (1986), and They LIve (1988), however the damage had been done and his career would never be the same. At this point we look at the later films of Mr. Carpenter. Although there are moments in most of these films, Carpenter would never return to the heights he once knew. In the Mouth of Madness (1994) is a noble failure, but a failing nonetheless. This week Ibrahim & I discuss why this is. Take a listen and let us know what you think. We hope you enjoy it. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com 

Where's the Fear - Wes Craven's The Hills Have Eyes (1977)

On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I sit down, settle in, and jump into the World of Horror Cinema. We're prepping two months worth of Horror because that's how long it's going to take us on this World Tour. This year we look stateside, but also look to Korea, Japan, and any other place that challenges their audiences not to turn away. This week we go back to the 1970s and the American Southwest with a look at Wes Craven's 1977 Cult Classic The Hills Have Eyes. There's a great deal to unwrap here . . . violence, rape, misogyny, torture porn, and all the storytelling elements that will manifest themselves in louder and stronger voices in the coming decades. This is a difficult film that needs the four decades space to look at it objectively. So that's the angle we're coming at it from. Cult classic or Overrated Schlock . . . we're thrilled to be talking about Craven's second film. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

Fame, Cocaine, and Coming of Age: Defining the 80s

On this week's episode of WatchThis W/RickRamos, Ibrahim & I continue our exploration of the films that defined their decades. Naming "The Best Films of Their Decades" would be too easy (and boring) an endeavor. These are the films that Mr. Chavez & I see as The Good, The Bad, & The Very, Very Ugly of each decade. The 1980s is probably the most striking example of troubling, jingoistic, and mindless filmmaking. Yeah, there are some good films within each of our lists, but the decade is overrun by films that trouble us and are an ugly examination of Cinema and The Culture as a whole. Take a listen. We hope you agree, and if you don't, we hope the discussion triggers your own opinions. 

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks!

Dead Air - Oliver Stone's Talk Radio 

On this week' s episode of WatchThis W/RickRamos, Mr. Chavez & I sit down to talk an underseen Oliver Stone film . . . Talk Radio (1988). From an original theatrical production (produced Off-Broadway), Eric Bogosian tells the story of Barry Champlain - provocateur, shock jock, vile human being. It's a wonderful debut from an actor we don't see nearly enough of. Along with Bogosian, Stone peppers his film with a wonderful supporting cast including: Ellen Greene, John C. McGinley, Leslie Hope, John Pankow, Michael Wincott, and Alec Baldwin. There's a whole lot to break down. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

 

He's My Father: James Foley's At Close Range 

On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I sit down to discuss a 1980s cable mainstay, James Foley's At Close Range. One of the earliest films to showcase Sean Penn as a lead, Foley's film is a harrowing look at father-son/criminal relationships in rural Pennsylvania. Penn made a name for himself with this film after exceptional turns in Bad Boys (1983) and Fast Times at Ridgemont High (1982) and showed a hint of the work that would come to be expected from him over the next three decades, however this film is held together and overwhelmed by the presence of Christopher Walken. Walken is equal part charismatic and terrifying in a role that would test the limits of what audience are willing to accept. He is truly mesmerizing. It is with great pleasure that we look back at these classic 80s performances. 

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks for your continued support. 

"No Hunting Like the Hunting of (Wo)Man"  - Ernest Hemingway

Dan Trachtenberg's Prey (2022)

Solo Episode . . . . this week I go it alone to talk the newest entry in The Predator Film Series, Prey. Premiering on HULU August 5th, it is a thrill seeing this film and getting the chance to discuss it, the series, the Native American presence in Cinema, and the future of film releasing. There's not a whole lot to say except this is a great contribution to a series celebrating 35 years. Featuring standout performances from Dakota Beavers, Dane DLiegro, Michelle Thrush, and - Star - Amber Midthunder as Naru. A success on so many levels, it's a thrill to talk about exciting new film. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

Breaking Down the Gates: Defining the 70s (Part II) 

The Second Half of an earlier episode where Mr. Chavez & I discuss ten films (and a short list of Honorable Menitons) that defined the 1970s as a decade. All the usual names: Scorsese, Coppola, Spielberg, Friedkin, DePalma, Lumet, etc. are found throughout the episode. Take a listen and see if these (remaining Top 5 and The Honorable Mentions) are on your list. Thanks for the continued support. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. 

Breaking Down the Gates: Defining the 70s  (Part I)

On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I continue our examination of the films that defined their respective genres. This week we discuss - arguably (Mr. Ramos's opinion) - the single greatest decade in Cinema . . . The 1970s. The 1970s was an incredibly creative, ground-breaking, and overpowering period of filmmaking that brought us names as important as Spielberg, DePalma, Coppola, Friedkin, Bogdanovich, Ashby, and - of course - Scorsese. These filmmakers, and the names of others who fallen through the cracks, are profiled on this episode (as well as it's sequel). It's not necessarily "The Best of the 1970s" but more importantly, the films that tell us the most about the Decade. It's a fun ride. Join us for it. 

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Our Continued Love & Thanks. 

 

Towards a New Hope: George Lucas's THX-1138

On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I continue our look into - arguably - the greatest of The Cinematic Decades - The 1970s. This week we pay particular attention to George Lucas and his directorial debut, THX-1138. We discuss the film, it's themes and religious connatations, as well as it's production history - including role as flagship project of Lucas and Francis Ford Coppola's Independent Filmmaking Utopia, American Zoetrope. Surprise, Surprise - one of us is a bigger fan of this film than the other, but the discussion (because of this difference) is definitely worth a listen. It's a problematic film (both of us believe this), however it's a film with an important history and role in the emergence of "The New Hollywood". Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks for Your Continued Love & Support. 

Tormented Road: Steven Spielberg's Duel

This week Mr. Chavez & I dig into one of our favorite film decades - The 1970s with a look at - arguably - the most successful box-office director in the history of cinema . . . Steven Spielberg. This week we take a look at his feature length directorial debut, Duel. 1971 was a phenomenal year for cinema with the trumpeting of a great new director. It's difficult to imagine film without Steven Spielberg and, thus, it's important for us to begin an examination of great storytelling and the beginnings of a great filmmaker. Take a listen and let us know what you think of this 1971 classic. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.

Easy Drugs & Raging Egos: New Hollywood & the Auteur Era

On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I take a look at Ted Demme & Richard LaGravenese's IFC Documentary, A Decade Under the Influence and Kenneth Bowser's Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'N' Roll Generation Saved Hollywood.  It's a great time for a couple of cinema nerds to look at one of the greatest periods in the history of cinema. We look at the big names and the legacy of the 70s that continues to fascinate us 30+ years later. This week we talk the usual names: DePalma, Coppola, Spielberg, Bogdanovich, Schrader, and many more including - of course - Scorsese. It's a whole lot of fun. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Our Continued Thanks for Your Love and Support. 

 

A Decade Light and Dark: Defining the 60s

On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I continue our dive into the films that define their respective decades. This week we look at the 1960s . . . Racial Unrest, Vietnam, The Hippie Culture, Revolution and Class Uprisings, Male-Female Relations . . . The 1960s were a tumultuous decade that would test the country and the world. The usual names make their appearances (Kurosawa, Anger, Peckinpah, Wilder, etc.), but they are accompanied by new names and a handful of films that may surprise you. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Our Continued Love and Thanks.

Rome Before Christ, After Fellini: Fellini's Satyricon

On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I sit down to discuss one of the great names in all of cinema - The Great Italian Master Federico Fellini. Fellini's Satyricon (1970) is a powerful, overwhelmingly beautiful, and incredibly conflicting film based on Petronius's Late 1st Century AD look at Imperial Rome during the reign of Emperor Nero. Whether a commentary on Ancient Rome, The Contemporary Italy of the late 1960s, or both, Fellini's vision is on display through the lens of the great Italian cinematographer Giuseppe "Peppino" Rottunno, and is breathtaking and troubling. Fellini was a director unafraid of tackling images, subject matter, and tastes. This is an incredible visual feast that will challenge your sense of cinema. It's a wild ride that offers so much while dancing on the razor's edge of offense. A truly remarkable film that challenges it's viewers on many, many levels. We're proud and thrilled to be talking about this great piece of cinema. Take a listen and let us know what you think. 

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks for your continued love and support. 

Highway Without Horizon: Monte Hellman's Two-Lane Blacktop

This week, Mr. Chavez & I sit down to discuss a seminal film of the 1970s, Monte Hellman's Two-Lane Blacktop. Featuring musical icons, James Taylor and Dennis Wilson (as, respectively, The Driver & The Mechanic), Laurie Bird, and the great character actor, Warren Oates as GTO. There's not a whole lot I can put into this description, but I will give my all . . . Ibrahim & I are thrilled to be discussing a cult classic that has only grown more powerful and enduring as the years have gone by. There's a whole lot packed into this story of a cross (or mid) country race between Taylor's The Driver, his co-pilot The Mechanic (Dennis Wilson) and Warren Oates's GTO. An existential look at men and their need to bury themselves in car culture, speed, and mythology.

We cover a lot of bases and are thrilled that you are joining us on this incredible ride. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com

Many Thaks!

Frontier Justice: William Wellman's The Ox Bow Incident

On this week's episode of WatchThis W/RickRamos, Mr. Ramos goes it alone to discuss a seldom seen, little discussed film in the Western genre, William Wellman's The Ox Bow Incident. Henry Fonda leads a cast of noted character actors in an early look at the Western,  closer to it's actual truth. A controversial and disturbing look at mob rule and lynching in American society, Wellman's film is a challenging examination of the Western genre. Take a listen as I ramble on for about an hour. It's a li'l bit of fun. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.

Madman's Miracle: Jodorowsky's El Topo

There are a few filmmakers that when you watch their work you can step back and honestly say that you are watching a visionary work. The great Russian-Chilean filmmaker, Alejandro Jodorowsky, is a filmmaker of immense talent and visual uniqueness. From his earliest films, including his earliest film Fando y Lis thru The Holy Mountain and his ill-fated adaptation of Frank Herbert's Sci-Fi Classic, Dune - Jodorowsky has been an admired, venerated, controversial, and polarizing figure.

On this week's episode, Mr. Chavez & I sit down to look at one of his masterpieces, 1970s El Topo. A beautifully poetic Eastern-Western, Jodorowsky's midnight movie masterpiece is justly regarded as a classic. This week, Ibrahim & I express our admiration, confusion, and love of his cinema. Take a listen . . . it's an interesting conversation that covers the poetics, the beauty, and the controversies surrounding this exceptional film and it's even more exceptional director.

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.

Postwar Paranoia:  Defining the 50s

On this week's episode of Watch This W/Rick Ramos, Mr. Chavez & I sit down and continue our examination of the definitive films of their respective decades. This week we look at the 1950s . . . A Post-War America, The Red Scare, McCarthyism, and the "Imagined Idealism" of the Leave it to Beaver decade. It's a fun talk as we dig into our respective choices for the films that define the 1950s. Take a listen as we discuss a host of directors, actors, themes, and stories. It's a fun talk  as we barrel towards the new millennium of film-making. Take a listen. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Our Continued Love & Thanks. 

More Than Seven Words: George Carlin's American Dream

On this week's episode of WatchThis W/RickRamos, I visit with an old friend, Mrs. Amy Nelson Melle. Amy & I first met thirty-three years ago as sophomores in the Camelback High School Drama Department. The only two Chicanos (and - maybe two of less than seven or eight Non-White students), we bonded early with our mutual love of Soul Music, Cinema, and Stand-Up Comedy. We went to our first George Carlin concert at the CelelbrityTheatre in Phoenix, AZ sometime in the early-90s. Carlin has been a constant source of strength, intelligence, and hope in our lives. We're thrilled to sit down and discuss this iconic performer and the Judd Apatow/Michael Bonfiglio directed HBO Documentary, George Carlin's American Dream (2022), which premiered May 20th.

Looking at Carlin's tumultuous life: compromised early career, counter-culture shift, rocketing success, drug and alcohol abuse, marital problems, dip in popularity, and late career resurgence which solidified his position as one of the greatest stand-ups of all time - all of this comes together to help us understand ourselves, the culture, and - ultimately - the species. This was a great time talking the past, the present, and the future with Carlin a constant presence and - to some degree - a contrarian guide. We invite you to sit in with us. It's a fun time between two old friends.

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.

Sons of South Gate: The Cypress Hill Story

On this week's episode of WatchThis W/RickRamos, Ibrahim & I bring it home with this  fun discussion digging into Mr. Chavez's feelings, attitude, and memories of his hometown, South Gate, CA. - which also happens to be the birthplace of Latino Hip-Hop pioneers Cypress Hill. We look to cinema for inspiration and the new Showtime Documentary, Cypress Hill: Insane in the Brain (2022, Dir. Estevan Oriol) provides just that. It's a fun, informative, and enlightening talk for me and a trip through the past for Mr. Chavez. We discuss the 1990s and Mr. Chavez's hometown of South Gate, CA - its music, people, culture, and history. It's a goddamn good time that you're not going to want to miss. Take a listen and see if you agree. 

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com.  Many Thanks! 

What Was Real? Andy Kaufman, Latka Gravas, Tony Clifton, & Jim Carrey

On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I look at the life and career of Andy Kaufman. Kaufman was always a polarizing figure in the world of comedy and entertainment. A challenging artist, constantly at odds with his audiences, Kaufman was responsible for some of the most controversial "crowd stunts" in late 70s and early 80s entertainment. From network specials designed to confuse and trick audiences, through his ambivalence in playing Latka Gravas on the sitcom Taxi (1978-83), berating and wrestling women, and his alter-ego - the obnoxious Vegas lounge singer - Tony Clifton, Kaufman has been heralded as a genius and "ahead of his time" and also a spoiled Hollywood star. This week Ibrahim and I discuss Milos Forman's 1999 biopic Man on the Moon, featuring a Golden Globe winning performance from Jim Carrey and the 2017 documentary on the making of the film, Jim & Andy: The Great Beyond. It's an intersting conversation on the trappings of stardom and the responsibility of the artist. 

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

Black Summit 64 - Regina King's    One Night in Miami

On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I sit down to discuss the 2020 critical hit from first-time director, Regina King, One Night in Miami. A fictionalized portrait of a meeting between four of the leading figures of 1960s Black Culture: Soul Singer, Sam Cooke (portrayed by Leslie Odom Jr.)/NFL fullback and soon-to be Hollywood icon, Jim Brown (Aldis Hodge)/Muslim minister and Human Rights activist, Malcolm X (later Malik el-Shabazz - portrayed by Kingsley Ben-Adir), and the 22 year old Heavyweight Boxing Champion, Civil Rights Leader, and Cultural Icon, Cassius Clay - on the cusp of becomming Muhammad Ali (Eli Goree). It goes without saying King's film is one that rarely gets made. A work of subtlety and nuance that looks into the lives of the Black struggle and the roles of leaders in said struggle. It's a film that we walked into unsure of and walked out of excited by the conversation that would ensue. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks for Your Continued Love &  Support. 

More Than Hardboiled: Defining the 40s

On this week's episode of WatchThis W/RickRamos, my partner, Mr. Chavez & I are continuing our look at the very best films of each decade, culminating with our opinions on the single films that define the decade. This week we look at the 1940s . . . a period of The U.S. coming out of The Great Depression, the beginning and conclusion of World War II, and the opening of cinema as an international movement (although cinema had been viable art throughout the world before this time). For this episode, Mr. Chavez & I discuss our Top 10 films and the honorable mention titles that barely missed the list. As with all titles, we have picked these films after careful consideration and understand that the lists will - probably - change within minutes of our talk. That's the nature of cinema. Take a listen and hopefully, you'll remember some great films and  be introduced to others. We have our opinions and you're going to have yours. Either way, it's a fun talk.

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks for the Continued Love & Support.

"Toons . . . Gets 'Em Every Time!" Robert Zemeckis's Who Framed Roger Rabbit

On this week's episode of WatchThis, Mr. Chavez & I discuss the ground-breaking 1988 Robert Zemeckis Classic Who Framed Roger Rabbit. This is truly a game-changing film that succeeds far beyond any novelty it may appear to be. With a collection of classic fan favorite cartoon characters from Warner Brothers (Bugs, Daffy, Tweety, Yosemite Sam), Disney (Mickey, Donald, Goofy, and many of the cast of Fantasia), Max Fleischer Studios (Betty Boop), Walter Lantz Studios (Woody Woodpecker), and MGM (Droopy), this is a film that is both a nostalgic look back at Classic Animation and a beautifully realized 1940s style Film Noir. Better than it has any right to be, Zemeckis's film is a triumph of animation, technology, and acting led by Bob Hoskins (never better), Joanna Cassidy, the voice talents of Charles Fleischer, Kathleen Turner, Tony Anselmo, June Foray, The Greatest of All - Mel Blanc, and a live-action Christopher Lloyd - in one of his greatest performances - as Judge Doom. This is a fun conversation in which we dig into the film, the history of Animation, Noir, and Los Angeles. Don't miss out.

Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.

"It's the pictures that got small." - Billy Wilder's Sunset Boulevard

This week, Mr. Chavez & I continue our descent into the ruthlessness, horror, and sadness of Hollywood - Billy Wilder's Sunset Boulevard (1950), a true classic of cinema and a film that continues to astonish audiences over 70 years later. With a young William Holden cementing his stature in cinema, and brilliant performances from Silent Cinema legends, Gloria Swanson as one of the most iconic characters of the silver screen, Norma Desmond, and her broken, loyal, and forgotten manservant and one-time director, the great Erich von Stroheim (both Academy Award nominated), this is a classic of the studio system and a film that only grows in power year after year. Ibrahim & I are thrilled to talk this film and are hoping that we are introducing it to a few new viewers. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

In Dreams: David Lynch's Mulholland Drive

On this week's episode of Watch This, Mr. Chavez & I are diving into the hazy dreams of David Lynch. A polarizing, controversial, and challenging director, David Lynch has overwhelmed audiences for over four decades. Mulholland Drive (2001) may be his masterpiece. An uneasy and brutally honest look at Los Angeles and Hollywood, Lynch's tale of a young actor (Naomi Watts) arriving in The City of Angels and finding herself lost in a world of mystery, treachery, and deceit. It's a wild ride that leaves its audience guessing and second-guessing what they believe they know. This is an overpowering film with excellent performances from Naomi Watts and Laura Elena Harring. Be sure to watch this film before listening to the podcast. We are talking every aspect of the movie. You owe it to yourself to watch it first. 

Thanks for tuning in. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

 

Cinema Has Something to Say: Defining the 30s
On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I sit down to talk the 1930s and so many of the brilliants films that came out of that generation. This week we take a look at films from a wide variety of directors including: Michael Curtiz, Victor Fleming, Frank Capra, Lewis Milestone, Leni Riefensthal, John Ford, Howard Hawks, and Fritz Lang. It's a good conversation. Take a listen.  Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

Beautiful Darkness - A Few Thoughts on Film Noir

On this week's episode, I go solo to talk my favorite genre . . . Film Noir. Take a listen as I ramble and bumble my way through a rudimentary understanding of the (supposed) genre. There's a lot to unpack here and I'm doing the best that I can to get my ideas down. Take a listen and let me know what you think. As always I can be reached at gondoramos@yahoo.com. Many Thanks for your continued love and support. 

Not a Comedian . . . Lenny Bruce

On this week's episode, Ibrahim & I dive into the life of one of the great comics of The Modern Stand-Up Era - a man that it can be argued changed the format of stand-up comedy - Lenny Bruce (October 13, 1925 - August 03, 1966). Often times recognized as a Christ-like martyr "who died for the sins of all future comics" this description may be extreme, however Bruce's status as an innovator and artistic & cultural hero cannot be denied. This week Ibrahim & I are thrilled to discuss one of the greats, including Bob Fosse's 1974 (loosely) biographical look at Bruce's life, Lenny featuring Dustin Hoffman as Bruce and an Academy Award nominated Valeria Perrine as his wife, Honey. We also look at three documentaries of varying quality. 1998's Lenny Bruce: Swear to Tell the Truth (dir. Robert Weide), 1972's Lenny Bruce: Without Tears (dir. Fred & Barbara Baker), and Elan Gale's 2011 documentary Looking for Lenny.  We talk Bruce, his legacy, controversies, and the current state of stand-up comedy and cancel culture. It's a good discussion. Take a listen. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

The Roaring Silents - The 1920s

On this week's episode, Ibrahim & I sit down to continue our look at the cinema of each decade. This week we focus on the 1920s and the great films and directors whose films continue to enthrall us. Whether Chaplin's The Gold Rush (1925), Robert Wiene's The Cabinet of Dr. Caligari (1920), F.W. Murnau's Sunrise - A Song of Two Humans (1927)and The Last Laugh (1924), Buster Keaton's The General (1926) and Steamboat Bill Jr. (1928), Walt Disney's Steamboat Willie (1928) and Fritz Lang's Metropolis (1927). It's a fun and interesting conversation about the history of film and the importance of these great pictures. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

The History of Rock N Roll Part XII - Troubled Harmony: Brian Wilson & The Beach Boys

This week Mr. Chavez & I continue our exploration into The History of Rock N Roll with a look at one of the seminal bands in the history of Southern California music . . . The Beach Boys. We take a look at the history with a focused look at band co-founder and principal songwriter Brian Wilson. Long heralded as a musical genius, it has been an interesting and compelling look into his life. This week we focus on four documentaries: Malcolm Leo's  hagiography The Beach Boys: An American Band (1985), Don Was's Brian Wilson: I Just Wasn't Made for These Times (1995), Brent Wilson's Brian Wilson: Long Promised Road (2021), and Bill Pohlad's 2014 Bio-Pic Love & Mercy featuring Paul Giamatti as psychologist, Dr. Eugene Landy, Elizabeth Banks as Wilson's second wife, Melinda Ledbetter, and as Wilson, Paul Giamatti (as the young Brian Wilson) and John Cusack as the older 1980s Brian Wilson. With the exception of Leon's doc, the films are interesting and thought-provoking regarding artistry, mental illness, and the combination of the two. It's a good talk and we're thrilled to go - a bit - outside of our comfort zone. Thanks for listening. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com.